During our hour long webinar, Karestin will talk us through how to use various materials to create fake food that looks so good it’ll make you hungry. She’ll share materials and resources with us, sharing with us different craft mediums that can be found at the local craft store as well as higher end products that can be ordered from ROSCO.
We are once again requesting pay-what-you-can donations to support this S*P*A*Minar programming. All money collected will be used to offset webinar operation costs with additional funds going to our annual grant program for early career prop people. Suggested donation amount is $3.
Registration will remain open until 6pm EST on September 19th and a link to the Zoom S*P*A*Minar session will be sent out to all registered attendees 1 hour before the start of the webinar.
All S*P*A*Minars will be recorded, and the video will be shared on YouTube the week following the event.
Have you ever struggled with making your paper props authentic? We all know that they can be an overwhelming and intimidating part of the prop master’s job.
Well good news! This month S*P*A*M Member Natalie Kearns joins our S*P*A*Minar team to take a look at the variety of paper props that may come up and will introduce some tips and tricks to give your props an authentic look while still meeting the demands of stage use. While this presentation will be geared to early-career artisans, freelancers with tight budgets, and those still learning the world of props, there will hopefully be some new tips and tricks for everyone who is interested in learning more about the wide world of paper props! So join us and register now!
When: Sunday, July 18th at 8pm EST
Where: From the comfort of your home! REGISTER here!
We are once again requesting pay-what-you-can donations to support this S*P*A*Minar programming. All money collected will be used to offset webinar operation costs with additional funds going to our annual grant program for early career prop people. Suggested donation amount is $3.
Registration will remain open until 6pm EST on June 20th and a link to the Zoom S*P*A*Minar session will be sent out to all registered attendees 1 hour before the start of the webinar.
All S*P*A*Minars will be recorded, and the video will be shared on the S*P*A*M YouTube page the week following the event. Videos for all previous S*P*A*Minars can be viewed there as well.
In this Month’s S*P*A*Minar, Thomas Fiocchi, resident Props Technologist at Ohio University and creator at Fiocchi Swords will give us an introduction on how to make stage safe combat weapons in our prop shops. I know we say this a lot, but you really don’t want to miss this one!
We are once again requesting pay-what-you-can donations to support this S*P*A*Minar programming. All money collected will be used to offset webinar operation costs with additional funds going to our annual grant program for early career prop people. Suggested donation amount is $3.
Registration will remain open until 6pm EST on June 20th and a link to the Zoom S*P*A*Minar session will be sent out to all registered attendees 1 hour before the start of the webinar.
All S*P*A*Minars will be recorded, and the video will be posted to the S*P*A*M YouTube page the week following the event. You can also view all the previous S*P*A*Minars there for free.
On April 18th, I gave a presentation for the monthly webinar series given by S*P*A*M. “Props You Can Make at Home” was all about building props when you have no shop and few tools, and it uses mostly locally purchased materials.
The umbrella gun scene in Who’s Afraid of Virginia Woolf? is one of the most visually memorable in the play. George, tired of his wife Martha’s insults in front of their guests, exits offstage. He sneaks back wielding a shotgun aimed at her head. The guests see him and scream as he pulls the trigger. Instead of the loud report of a bullet, though, a brightly-colored umbrella emerges from the barrel. Hilarious, right?
The original production was written to use a trick umbrella they already had in stock, but every production since has given the props master a headache as they try to figure out the gag. I initially checked with other theaters who had done this show, but theirs had either broken or been disassembled. The rental options out there were either too expensive or looked unrealistic. I decided I needed to build my own.
I needed a pretty thick barrel to fit an umbrella inside. It would look out-of-proportion if I just stuck it on a regular shotgun body. I scaled up the stock and fore-end to cut and shape out of oak.
I bought a chainsaw grinding disc for this project because I had always wanted to try one. It was amazing; it acted like a wood eraser. I just pointed it to the wood I didn’t need and it made it disappear. I will never attempt wood carving without one of these again.
The receiver would need to hold all the parts of the shotgun together and hide all the mechanisms inside of it I cut out several pieces of flat steel stock to weld a hollow container.
With just a welder, angle grinder, and belt sander, I was able to fabricate a decent looking receiver.
I took an existing umbrella from stock which had its own spring mechanism to make it pop open. I cut off the handle but left the hollow shaft in place. I welded a steel rod to the shotgun that the umbrella could sleeve onto and travel back and forth. To minimize binding, I put a bit of UHMW rod on the end of the umbrella that was slightly smaller than the inner diameter of the copper tube I was using for the barrel. I used copper tube because it was the most rigid tube I could find with the thinnest walls.
I drew up a full scale trigger mechanism in cardstock to figure out what would fit within what I had built. It was just two pieces: a trigger that rotated on a pin, and a long lever with a latch on the end that held the umbrella against a spring until the trigger was pulled. I traced the pieces to steel and cut them out. I slipped a small piece of spring into the fore-end to return the trigger after it is pulled. I slid a long spring over the metal rod in the barrel to actually propel the umbrella after the trigger is pulled.
I painted the barrel to match the receiver and stained the wood pieces darker before sealing them. I coated all the static pieces of interior and exterior steel with shellac to prevent rust. Any pieces of steel which moved against another part was coated with dry lube. I built the gun for easy disassembly in case any future users needed to fix or replace a part.
I have a video which shows all the parts as they are assembled. You can see the various inner mechanisms in more detail if you are interested in how it all works, and if you wanted to see it actually fire.
Making and finding props for theatre, film, and hobbies