Tag Archives: reference

Building a prop from a photograph

When you are building a prop, you are often working off of some kind of reference material. In many cases, a photograph is the only reference you have. I’ve learned a couple of tricks over the years to help me construct a prop from a photograph.

Hot Dog Vendor Standing Beside Cart
Hot Dog Vendor Standing Beside Cart

The first thing you want to do is take note of all the details in the photograph to learn as much as you can about the context in which it was taken. Do you have a time, place, name of photographer or name of subjects to go along with your photograph? If you do, you can use it to search for additional photographs of the same object. For a production of La Boheme, I was given a poorly-photocopied image of a street cart vendor as research for a cart I needed to build. Using that image, I found the above picture online, which is a crisper and cleaner reproduction of the exact same photograph. If you’re lucky, your research will lead you to multiple pictures of the same object, showing different angles or details. Otherwise, do your best with the single image you have.

Next, you want to figure out the scale of the items in your photograph so you can begin assigning measurements and dimensions to the different elements. The above photograph offers one of the best items to scale against: the human body. By measuring against our own body, we can determine the heights of the various elements. The photograph of the crepe cart gives us a great advantage by showing the cart straight on. We can essentially lay a grid over the whole image using the man as the basis for the measurements. We know that the man uses the handles to push the cart, so we can use our own hands to decide the optimal thickness of the handles rather than trying to guess it from the picture.

Crepe cart from La Boheme
Crepe cart from La Boheme

(You’ll notice the cart in the photo above does not match the research exactly; the designer made some changes and alterations of his own based on the needs of the production.)

Sometimes the photograph has nothing in it to scale against, and we need another method. I had to build a park bench once based off of the research below. Though we do not know the size of that park bench, we do know the sizes of other park benches.

A cast iron park bench
A cast iron park bench

Most seats have a sitting height of eighteen inches. Even if the specific bench in the photograph above has a different height, the actors on stage will be most comfortable in an eighteen-inch high seat, so we can decide that this bench will have a sitting height of eighteen inches. Now that we have that measurement, we can again determine the rest of the measurements and draw out a full-scale version of what we are making. The length of the bench is a little harder to determine. For that, we can defer to the needs of the production (by asking how many actors need to sit in it at one time, and what the maximum length the set will allow is) as well as the length of typical park benches to come up with our length.

A faux cast iron prop bench
A faux cast iron prop bench

Midweeks Link Dreams

Just a reminder that today at 2pm (EST), I’ll be taking part in a live chat interview at TheatreFace. Come join in the fun if you want to ask me a question.

I also have a fun new project I’ve been working on, and I might be posting photographs of it as early as next week, so stay tuned. Until then, here’s a fresh roundup of links for you to explore.

  • You know that Smooth-On has a plethora of videos and tutorials on their website, right? Well now, they also have a Mold-makers Exchange, where you can buy or sell molds and casts, or advertise your mold-making services. It’s like a Classifieds for all things moldmaking (or a “Craigslist” as the youngsters (and I) say). It’s very sparse at the moment, which is why I’m getting the word out about it.
  • The Library of Congress has a YouTube. With nearly 600 videos from their archives, there is a wealth of historical material available for free viewing. Many of these videos are great for research on the early twentieth century and thereabouts.
  • Check out these delicious fake food miniatures.
  • Erich Friend runs a Theatre Safety blog. Though focused more on theatre planning and operations, some of the information (I’m looking at you, hidden fire extinguishers) is relevant to props shops.
  • And finally, Volpin Props has made an awesome M8 Avenger Assault Rifle out of scrap materials he had sitting around in his shop.

36 Knots, Bends, and Splices

Who here likes knots? Who doesn’t like knots? When I was first starting out as a stagehand apprentice, I was told there were three knots I should memorize: the square knot, bowline, and clove hitch. These, I was taught, made up the bulk of all knots needed in theatre. Any other specialty knots came into play when you were doing specialty jobs. This has held fairly true throughout my career; other than the odd decorative knot or particular rigging challenge, I can usually solve my knotty problem with one of these three knots.

To that end, here are diagrams of thirty-six common knots, bends, and splices I pulled from an old book. These aren’t decorative or pretty knots; these are heavy-duty working-class knots, including the three I mentioned above. There is, of course, the larger question of what circumstances each of these knots should be used in; perhaps I will address that in a later post. Until then, why knot just enjoy the pictures?

Parts of a rope, overhand knot, figure eight knot, stevedore knot
Parts of a rope, overhand knot, figure eight knot, stevedore knot

Continue reading 36 Knots, Bends, and Splices

Sizes

You may have noticed a new link over on the side link: Sizes. If you haven’t checked it yet, you’re missing out. Sizes lists the sizes of things and the units used to describe them. It may sound dry, but it is an incredibly useful reference for a props person.  Here is just a sampling of the variety of information you can find there:

New York Public Library Digital Galleries

Miss Fanny Kemble as Portia in the Merchant of Venice
Miss Fanny Kemble as Portia in the Merchant of Venice

As a props person, you’re always looking online for images, whether as research for pieces, inspiration for set dressing, or as elements for a paper prop.

The New York Public Library has a great digitized collection of images in their Digital Gallery.  Some proptacular highlights include cigarette cards from pre-1900s to the mid-20th century; dust jackets from American and European books, 1926-1947; decoration in the Age of Napoleon; and  a collection of restaurant menus from 1851 to 1930.

There is also a ton of theatre-related photographs and ephemera, such as the Vandamm Studio Photographs of theatre productions and players from 1900 to 1957.

These digital galleries have so much visual reference and research; I highly recommend taking the time to look through it all and bookmarking or taking note of what you might find useful in the future.