Tag Archives: model

Useful Sites

Prop Sites of Early Summer

Model makers from Industrial Light and Magic gathered at this year’s Maker Faire and discussed their favorite tips, tricks and techniques for building models. Tested has the complete story, filled with lots of great photographs. There’s a ton of useful information here, as well as lots of good stories from the filming of the various Star Wars films.

Speaking of Maker Faire, the Make Magazine blog had a writeup on the Alamance Makers Guild at this year’s Makers Faire NC. I’m a member of the AMG, and though I couldn’t be at the fair, this article shows off some of the work of my fellow members.

Jay Surma has been documenting the build of a new sculpture of a Dungeons and Dragons character in great detail. In the seventh part, he tackles the mold making process. It’s a great look at a two-part matrix mold. If you’ve never seen a matrix mold being made (I don’t think I’ve ever seen one being made in person), check it out, because it’s a handy technique to keep in mind.

Popular Woodworking has a whole article devoted to sweeping, with the wonderful title “To Sweep; to Sweep: Perchance to Clean“. It makes the good point that apprentices are often tasked with sweeping so they can get to know the shop and see what everyone is working on.

Over at the Lost Art Press Blog, Jeff Burks has reprinted this 1907 list of Don’ts for Makers of Models and Moulds. Most of them are apropos to any kind of props shop. I especially like these two:

DON’T fail to have confidence in yourself, but

DON’T think you cannot improve. Try to do better each day.

Have a great weekend, everyone!

Useful Sites

Monday Morning Links

Fon Davis runs a company called FONCO Creative, which makes miniatures and models for film and television. He’s worked on some lesser-known films such as Matrix, Star Wars Episodes I-III, and The Nightmare Before Christmas. Make: Believe visits his studio and posts some photographs and this video below. It is great to see a fairly young and high-tech company still embracing the use of models and miniatures.

You should see this “Death Row” router table; so-named because it was found in a prison woodworking shop where tools often need to be, um, improvised.

New York Magazine has this snarky look at how terrible the newspaper was in Back to the Future. Slate Magazine than has a rebuttal, calling the critique very funny, but very wrong. Both articles are highly entertaining; you might remember them the next time you need to make a fake newspaper prop.

Here is an interesting Instructable for making your own machinable wax. Machinable wax is a wax which will not melt or deform from the friction of a high-speed rotary cutter; it is useful for trying out a part on a CNC machine before you waste your real material (and it can be machined faster and without wearing down your tools).

 

Reprints

Models and Mache, 1904

The following is a continuation of a newspaper article about the property shop of E. L. Morse on Twenty-ninth Street in New York City. The article first appeared in The New York Times on May 8, 1904, and Mr. Morse’s property shop is long gone. I have previously posted the introduction, a bit on Morse’s career, a story of a fake fish he built and a run down of all the skills a prop maker must possess.

On the table of the shop is a country kitchen, not over a foot wide and a foot high. Yet in it is every piece of rude furniture which was to be put in the large kitchen on the stage. Not only in general appearance is the model perfect, but in all the smallest details. The kitchen table even has a top that folds back—it is hardly 2 inches long—just like tables which Mr. Morse says are found in obscure farmhouses in New England. The chairs, mantelpieces, window frames—all are exact. The whole thing was whittled out with a knife by the master of the shop himself.

“Why, that would make a wonderful toy for some child,” suggests the visitor.

“Yes, and I’m going to give it to one,” Mr. Morse replies. “I never thought about any one’s wanting such a thing until some one suggested it the other day. I guess I’ll not throw away any more.”

All around the room, on boxes and chairs, sit vases to be used in a musical comedy. They are modeled after some rare foreign pottery. The look of them is so frail that you forget they are not breakable, and tread gingerly in and out among the confusion of obstacles. This amuses the master of the shop.

“Oh, you can’t hurt these things,” he says.

To prove it he playfully cuffs one of the vases off the box and across the room. It falls and bounces up and down like a rubber ball. There is not even a dent, for it’s only papier maché, and you could play football with it half an hour without hurting it.

This article first appeared in the New York Times, May 8, 1904.

Useful Sites

Everybody’s Propping for the Weekend

I love Katz’s Deli in New York City, and I love tiny models of buildings. So it’s no surprise that I love this tiny model of Katz’s Deli. The intricacy of detail in this is simply amazing. Would a tiny Katz be called a Kittenz?

Mike Iverson of Blind Squirrel Props has posted these prop building tips for beginners. I agree with every tip here.

This video interview of Ray Harryhausen is fun to watch. Harryhausen is responsible for some of the most memorable stop-motion creatures from the 1960s through the 1980s, such as One Million Years B.C., Clash of the Titans, The Golden Voyage of Sinbad, and Jason and the Argonauts.

The prop master for the upcoming sci-fi film Looper told his prop makers to stop being so “precious” when building the futuristic weapons.

Useful Sites

TGI Links

This is from a few years ago, but it should provide a lengthy diversion: The New York Stagehand Glossary. It has a lot of terms which should be familiar to many of us, along with many I have heard for the first time (which is understandable, because I only did a bit of work as a stagehand while living in New York City).

Back in the old days, inventors who applied for a patent also had to submit a model of their invention. These models ranged from simple craft attempts to miniature marvels of engineering. The Rothschild Petersen Patent Model Museum houses one of the largest collections of these models, most dating from the 18th and 19th century. You can also view this set of photographs showing more of the models and exhibits.

Prosthesis
Prosthesis by bjepson, on Flickr

Most props people are familiar with Mortite and floral putty for temporarily securing props to shelves, trays and tables. Sometimes, though, you want something a little stronger; you may even need something clear, such as when you need to secure crystal to a glass surface. Quakehold! has a whole bunch of products intended for securing your collectibles and valuables to shelves at home in case of earthquakes. Materials such as Museum Wax, Museum Putty and Museum Gel should keep your props from tipping or falling, and can be cleanly removed when the show is finished.

I like this tutorial for repairing broken plastic items with solvent welding with one caveat: you need to wear the proper gloves and skin protection as well as provide adequate ventilation and respiratory protection.

At the Props Summit a few weeks ago, they mentioned InFlow, an inventory management software program which can be used to catalog and track inventory. It was suggested that it might be useful for maintaining a photographic database of your stock. I haven’t used it, but the website offers a free download (you are limited to 100 items in your database) in case anyone was interested in trying it out.