Tag Archives: Hollywood

Order Up! Prop Stories To Go

Order Up! A Working Ziosk Prop – Jay Duckworth details how his shop built a working computer-ordering system for a booth at a Chili’s restaurant that appeared on stage. It took a combination of a cheap tablet, a 3D-printed housing, and some clever programming and graphic design to pull it off.

SYFY WIRE Fan Creators – The SYFY Channel has created a whole series of mini-documentaries about fans of sci-fi, fantasy, and horror, who build things related to their fandom. It’s a mix of propmakers, cosplayers, artists, and even a baker.

In Memoriam: John C. Taccone, IATSE Stagehand – John Taccone was a stagehand in New York City and a member of the New Amsterdam Theatre props crew for 21 years. His untimely passing earlier this month was memorialized on the Broadway marquee of the New Amsterdam.

The House That Mr. Mayer Built: Inside the Union-Busting Birth of the Academy Awards – This is an oldie, but it was new for me. The Oscars were originally created as a way to prevent the unionization of actors, writers, and directors in Hollywood. It didn’t work. Still, it is a good reminder of how spectacle can often be used to mask some deeper purpose. If you want to know more about the history of unionization amongst the Hollywood technicians, I covered a bit of it in my “Brief History of IATSE” article from a few years back. It was outright war at times.

Props are Back on the Menu

Fake ‘n Bake: Ay-may! – It has been nearly four years since the Fake n’ Bake blog was regularly updated. That is about to change as the talented Aimee Plant takes over the site! Fake ‘n Bake has long been one of the go-to destinations for making fake food, and I am looking forward to learning some all new tips and tricks.

20 Secrets Behind the Scenic Designs for Wicked, Sweeney Todd, and More – Playbill looks at the design work of Eugene Lee and presents some of his early drawings, models, and renderings for his iconic sets. I count maybe a dozen secrets, so I don’t know where the other eight are. Still, it’s a great glimpse into the evolution of his work.

Polone: The Unglamorous, Punishing Hours of Working on a Hollywood Set – I’ve never worked on a film set, but a lot of my readers have. Fourteen to sixteen hour days are the norm, and it destroys the body, ruins relationships, and has even led to death. It seems insane to have such brutal working conditions in an industry with so much money.

When a stagehand gets hurt, who pays? – Speaking of bad working conditions, we’ve probably all worked at a company that wrongly paid us with a 1099 instead of a W-2. Besides the tax issues that arise, this also means the company is not covering you under their worker’s compensation insurance, so when you get hurt moving a large statue of Virgin Mary during a scene change, you’re on the hook for your medical bills. This article highlights some of the theatre workers fighting to change all that.

Below the Surface – The River Amstel in Amsterdam was recently pumped dry, and archaeologists were able to dig up over 700,000 objects that spanned several centuries worth of history. They have photographed over 11,000 of these artifacts and present them at this website. The objects range from contemporary gambling tokens to prehistoric pottery fragments.

Last Prop Stories in April

Metal 3D Printing Like Never Seen Before – 1st Century Roman Helmet Build – We’re all out of a job! Except that this took months of hand painting and finishing on top of the actual printing. Not to mention you still need to deal with 3D printing just like any other process, where you break your prop down into its simplest components and determine the best materials and methods to achieve those components. Still, this is an impressive looking helmet.

Inside Hollywood’s Prop Food Wonderland – Take a journey to LA’s Prop Heaven, one of the largest independently-owned prop houses in Burbank, California. Nearly a quarter of their stock is devoted to food and restaurant-themed furniture.

Fit For A King – A Nine Piece Rolling Throne – Jay Duckworth details his process of creating a rolling throne for the Public Theater’s mobile production of Henry V. Initially, the throne had to come out in nine pieces and be assembled by the actors onstage, before another actor jumped on the seat and rode around in it. Luckily, it was the only prop in the show!

Propmaster Annette Breazeale Brings WBTT Theater Sets to Life – Check out this lovely photo slideshow of the prop stock at the Westcoast Black Theatre Troupe, where Annette Breazeale is the props master.

How Some Of The Best Cosplay On Earth Is Made – This video details one of the costume armor pieces created by Henchmen Studios, where over fifteen people spent five weeks fabricating every part.

Last Links of May

Vulture has a nice piece on the unglamorous, punishing hours of working on a Hollywood set. Below-the-line workers in film work longer hours than soldiers in Afghanistan. And it’s dangerous to do so. On the flip side, a film shoot has an end date, and if you’re a prop builder, you’re probably not on set.

If that previous article does not turn you off, Frank Ippolito has some advice on how to get started in the effects business. Though he’s talking about practical and makeup effects, the props business has many similarities, and there are some people who work in both worlds.

Tandy Leather has come out with their own thermoplastic, similar to Wonderflex and Worbla. Check out their introductory video on working with TerraFlex Sheets.

Wired has an epic oral history on Industrial Light and Magic, which just celebrated its 40th year in business. It’s interesting to note that the company which pioneered the use of computer effects in the nineties is the same one currently pushing the envelope of practical effects.

If you like the photos in the previous article, check out the accompanying gallery of the awesome props inside ILM’s vault.

Book Review: Hollywood From Below the Line: A Prop Master’s Perspective

When I was writing my Prop Building Guidebook, I gathered together all the other books I could find that dealt with the world of props. I looked at everything from antique books to self-published pamphlets. While I could find many books on theatrical props, I found nothing written about film or television props. Sure, there were books showing pictures of the props, or maybe a bit of “behind-the-scenes” stuff tucked into a “making-of” book about a specific movie, but no books existed that were written by a film props master or for a film props master. So when I heard Steven M. Levine was publishing a book about his life as a Hollywood props master, I pre-ordered it and eagerly awaited its arrival. Continue reading Book Review: Hollywood From Below the Line: A Prop Master’s Perspective