Tag Archives: guns

Useful Sites

Friday Night Sites

The weekend is upon us again. It’s a holiday weekend; for those of us in the theatre, that means we have to go to work despite all the stores and banks being closed. It is also the unofficial end of summer. But don’t worry; I have some fun links below!

Curtains without Borders is a fascinating-looking project. It aims to record and restore all those hand painted theatre curtains found in town halls, grange halls, theaters and opera houses. It is mostly preserving those painted between 1890 through 1940. The site itself has some photographs (albeit of a small size) from across the country showcasing these valuable pieces of our theatrical history.

The San Francisco Gate has an article about Lori Harrison, the prop master at the San Francisco Opera. Lori gave us a tour of the opera back in 2010 when SPAM held its conference out there.

LA Weekly has a short blog asking “what do you do when your gun doesn’t go off onstage?” Most prop masters know to incorporate backup plans whenever dealing with firing blanks on stage, but if you don’t, this article is a good reminder that you should.

The National Park Service just completed a huge project. Thousands of images from their collections across the country are searchable and viewable online. These objects and specimens give a wide range of information from America’s history and are great for research.

Here are some pretty cool vintage ammo boxes. Unfortunately, none of the images are dated, but the enterprising prop master might be able to use them for further research. And while we’re at it, the whole Accidental Mysteries blog where this came from is filled with interesting vintage stuff and historic oddities.

Reprints

The Covetous Property Man, 1904

The following first appeared in The New York Times, July 24, 1904:

“There is no more assiduous collector of odds and ends than the average theatrical property man,” said a well-known actor. “Everything is fish for his net, you might say, and the contents of the chest or trunk of one of these individuals after a forage through the country would easily hold its own with Dickens’s famous curiosity shop…

“If you wish to find out the thoroughness with which the average property man accumulates, just ask him for any article, I don’t care what, and see if nine times out of ten he won’t produce it.”

“By accident I was a witness once of the manner in which a property man adds a coveted object to his collection. Our show was playing at Richmond, Va., at the time. Among the ‘props’ furnished by the theatre’s property man was a handsome rifle, which he had borrowed from a local firearms firm for the week.

“On Friday I had occasion to go to the theatre to get something I had forgotten. As I made my way to the dressing rooms I noticed our company’s property man standing to one side of the darkened stage, in a ray of sunlight, examining this rifle with the air of a connoisseur. There was nobody else in the theatre at the time, and he apparently had not seen me. I would probably have passed him by unnoticed but for the fact that he was holding a conversation with himself, which ran thus:

“‘You seem to be a pretty nice gun,’ he said, holding the rifle up to his shoulder and running his eye critically along the sights.

“‘Ever been on the road?‘ he continued, carefully scrutinizing the stock of the weapon.

“‘Why, you have no idea what a lot of fun you can have out on the road,’ he kept on seductively. ‘A great deal better than being stuck in a little town like this.‘

“‘How would you like to go on the road?‘ he queried, as if he had a sudden inspiration.

“‘You would? All right. I think I can fix it for you.’

“And he made for his trunk to see if he could lay in the rifle crosswise. He was just able to get it in, and the last words I heard him say to the enraptured weapon were:

“‘I’ll sign you with this company right away.‘”

Originally published in The New York Times, July 24, 1904.

Reprints, Safety

Weapon Safety is Nothing New

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As a reminder that accidents with stage weapons are nothing new, I have two brief stories of mishaps from over a century ago. The first comes from The San Francisco Call, September 27, 1896:

A few weeks ago a tragic accident happened in London. The actors had to fight a duel on the mimic stage. They did not rehearse with swords, but on the night of the first performance the property-man gave them their weapons, which they used so realistically that the delighted audience wanted to give a recall. Rounds of applause came again and again, but the man who had fallen did not get up and bow before the footlights as dead actors are in the habit of doing. He was dead in real earnest, killed by a thrust of his comrade’s sword. When the horrible truth dawned upon his comrades the curtain was lowered and the audience dismissed from the play, which had ended in an unrehearsed tragedy. The next day the papers were full of lamentations over the sad event and blame was given to the management for the carelessness which had permitted sharp swords to be used without first testing them thoroughly at rehearsal.

No training, no rehearsal, weapons that should have been dulled… these are the exact same reasons accidents happen today.  This isn’t new technology or unknown knowledge; we know, and have known for well over a hundred years how to prevent accidents from stage combat weapons, yet they still happen.

The second comes from The New York Times, September 12, 1907:

Maz Davis, 30 years old, of 434 West Thirty-eight Street, a property man for David Belasco, was injured on the right hand last night by the accidental discharge of a stage gun, the “wad” of which pierced his hand, while the powder burned both his hands and face. Just before a rehearsal of the “Girl of the Golden West,” he was examining a revolver when he accidentally pulled the trigger. He was taken to the Roosevelt Hospital.

Ouch. Remember, stage guns are still dangerous, even if they are only “blank-firing”, “powder” or “toy cap” guns.

Resources

Two Tickets to ISS

The following two videos come courtesy of The Replica Prop Forum. The host, uh, Star Wars Chick, visits the armory at Independent Studio Services. ISS is one of the major prop rental and fabrication in the Los Angeles area, and they have an especially large collection of weapons, as you can see in the videos below. Larry Zanoff, one of the armorers in the weapons department at ISS, does a great job explaining the difference between real guns and movie guns, the kind of training an armorer needs, and what kind of safety procedures they implement on set.

In part two of the video, Star fires a number of the weapons in their warehouse. I think it is important to note that while movies use real guns altered to fire blank rounds, theatres typically use block-barreled guns which were never meant to fire real ammunition.

Showcases

White Collar: Behind the Scenes with the Prop Master

I have my next big deadline for my book this coming Wednesday, so I haven’t had much time to write my blog. But I did just finish watching Season 2 of White Collar. They have a pretty cool behind the scenes video with Duke Scoppa, the prop master. What is especially interesting is he visits Weapons Specialists, one of the weapons places we used at the Public Theater. They have an incredible workshop and storage facility inside, and all the guys there are pretty cool to work with. So enjoy the video!

Behind the Scenes with the Prop Master of White Collar.