Tag Archives: guns

Illustrated Firearm Actions

Let’s face it; guns are frequently found on stage, whether in straight plays, musicals, operas and even dance. The use of certain guns can instantly convey a lot of information about period, geography and even character.

If you are a gun novice, it can be helpful to learn some basic terminology and categories. Even if you cannot find the absolute perfect gun, you can at least be in the right ballpark and not have something wildly anachronistic or unrealistic on stage.

For the first bit of terminology, I’ve put together an illustration showing the most common actions of both long guns (rifles, shotguns and muskets) and handguns (or pistols). When a firearm is capable of holding more than one round of ammunition, it needs an action to clear the spent cartridge and load a new one in place. The following is by no means an exhaustive list of all actions, but you may never need to know any others unless you start delving into the more esoteric and unique firearms used throughout history.

Common firearm actions
Common firearm actions

Bolt action – To eject the cartridge and load another round, a small handle is manually lifted, pushed forward, pulled back and dropped down. Bolt actions are most commonly found on the M1903 Springfield, which was the standard infantry rifle for the US from 1903 through World War I, and is still used by drill teams and color guards today.

Pump action – This action is typically associated with shotguns; the handigrip is pumped back and forth to eject a cartridge and load another one. On rifles, it is sometimes called a “slide action”.

Lever action - Most famously used in Winchester rifles, which were used by Western settlers in the US in the late 19th century (ie, “The Wild West”). Lever action rifles remain popular for modern-day sportsmen and hunters.

Break-action – The weapon “breaks”, or hinges to expose the breech. When this happens, the spent cartridges are ejected, and new ammunition can be manually inserted. This action is universal in double-barrel shotguns, and can be found in various rifles and pistols as well.

Revolver – Most commonly found in handguns, though the rare revolver rifle can be found scattered throughout history. A revolving chamber holds several cartridges; when one bullet is fired, the chamber rotates to line the next cartridge up with the barrel.

Semi-automatic – A semi-automatic refers to any pistol or rifle which automatically ejects the spent cartridge and loads the next round of ammunition when the gun is fired (not to be confused with an automatic firearm, which continues firing as long as the trigger is pressed). Most modern firearms for military and law-enforcement are semi-automatic.

Pistols, 1500-1856

Here is a small collection of typical or notable pistols spanning from the sixteenth century to the middle of the nineteenth century.

Pistols, 1500-1856
Pistols, 1500-1856
  1. Barrel for number 4.
  2. Wheel-lock pistol of the sixteenth century. This was the sort of pistol used by the German cavalry, and also by the Ritter, or knights.
  3. Wheel-lock pistol with double barrel, beginning of the seventeenth century.
  4. Wheel-lock pistol, firing seven shots.
  5. Double wheel-lock, end of the sixteenth century. Arsenal of Zurich.
  6. Wheel-lock and mortar pistol, called in German Katzenkopf, of the seventeenth century.
  7. Wheel-lock and mortar pistol of the seventeenth century. It is entirely of iron.
  8. Flint-lock pistol, end of the seventeenth century.
  9. Pistol with flint-lock, of the beginning of the eighteenth century.
  10. Colt’s revolver, invented by Samuel Colt, of the United States, in 1835.
  11. Mat revolver, invented a short time back by M. Le Mat.

The illustrations and descriptions have been taken from An Illustrated History of Arms and Armour: From the Earliest Period to the Present Time, by Auguste Demmin, and translated by Charles Christopher Black. Published in 1894 by George Bell.

Friday Links

The big story making the rounds in the past few weeks is of the prop maker who built a prosthetic arm for a little boy. Ivan Owen, a Seattle prop maker, began collaborating with Richard Van As, a South African woodworker who needed a prosthetic after losing some fingers. After perfecting their design, they built a hand for Liam, a boy born without fingers on his right hand. I linked to a story back in December about how Owen and Van As first began collaborating on a prosthetic hand. This new story shows how far they’ve come in just a few short months (and it has video of the hand in action).

Some cosplayers dressed like Agents of S.H.I.E.L.D. gave a surprise performance to movie goers exiting a showing of Iron Man 3. The costume is basically dark suits and lots of guns, so patrons who weren’t in on the act called the police. Always keep in mind how others may perceive your props when carrying them out in public.

On the flip side of that, an amateur British theatre group found some old grenades to use as props in a show, only to discover they were still live. This story is from three years ago, but it was too interesting not to share.

Make Magazine’s “Workshop Wednesday” continues to provide great information. This week is Ten Tips for Screws and Screwdrivers. The tips are great, except for the ones about which screw head styles are the best (they prefer Torx over Philips). I’ve found screw head styles are almost like religion to some people, and it is practically impossible to make them convert to a different favorite.

Speaking of screws, do you know the difference between pilot holes and clearance holes? Popular Woodworking does.

Are Blank-Firing Guns Dangerous?

Are blank-firing guns dangerous? YES. Anyone who provides blank-firing weapons for stage and screen should know where their dangers lie, and make sure they are never used in a hazardous manner. But as a demonstration of what they can actually do, the video below should make it clear. Keep it in mind when it comes time to use your weapons, or show it to a director who tries to convince you that you are being overly cautious.

USITT 2013 Wrap-Up

This past week was the 53rd USITT conference in Milwaukee. This year’s conference featured a lot of things for props people. I couldn’t get to them all, but I saw a lot of them. I took notes which I may go through later, but since I’m writing this on the flight home (and have to work first thing in the morning), I’ll just give the highlights.

First off, there was the Expo floor, filled with companies, organizations and universities peddling their wares. Wonderflex World had plenty of samples of their products, including a sneak peek of a new product coming out soon that is pretty exciting.

Smooth-On had their usual cool booth with all the rubber monsters and foam cinder blocks you can make with their products. There’s a possibility I may start getting samples of their new products to test out for this blog. That would be neat.

StageBitz had demos of their props management and inventory software. I first tested them out about two years ago, and it’s almost completely different now (in a good way). You can do a 3-week free trial of their software from their website, which is really the only way to start discovering how easy and seamless this can make propping a show, from letting the designer share images and research with you, to letting you send the designer pictures of items in your stock, to keeping up with changes in rehearsal, creating to-do lists to send to your artisans and shoppers, maintaining a budget, to finally adding all the props to your stock when the show closes.

RC4 Wireless Dimming had tiny wireless dimmers. It sounds simple, but it’s amazing how these little devices act so seamlessly to let you control any sort of battery-powered light or motor from your theatre’s lighting console. I also attended a session called “Wireless Light and Motion for Propmasters”, where a couple theatres were showing off various ways they used the RC4 units.

One of the last sessions of the conference was on sustainability in design and production led by Donyale Werle. It included the exciting unveiling of the College Green Captain Toolkit, based off of the already-successful program which every Broadway show participates in (I’ll post a link when it appears, or you can contact the Broadway Green Alliance for more information). Jacob Coakley from Stage Directions Magazine live-blogged much of the session.

An earlier session on “Reimagining Theatre with Green Ideals” also featured information about sustainability and the Broadway Green Alliance. Once again, Jacob Coakley live-blogged the whole discussion.

“Grave Matters” was a session with a lot of good tips and tricks for making gore and corpses. One of the speakers, Gary Benson, has his presentation online , including step-by-step photographs of how he made some skulls.

“You’ll Shoot Your Eye Out” was a bit disappointing since 3 of the 4 presenters could not be there. However, you can check out the handouts on firearm safety that they had. You will also find a link for a survey they are running to discover how various theatres deal with guns on stage (and off). I’m not sure how long that link will last, so you should download those files rather than bookmarking them.

I got to check out the Young Designer’s Forum, which had some great work. I was also able to meet two of my future coworkers this summer at the Santa Fe Opera.

The Milwaukee Rep props shop hosted a SPAM get-together at their space, though it was nice to see plenty of non-SPAM props masters and prop makers there as well. I wrote about their shop for Stage Directions this month, but to actually see their work space and storage facilities in person was a great treat.

Chairs as far as the eye can see.
Chairs as far as the eye can see.

Oh yeah, I also sold out of my book by the end of my signing. The response has been overwhelming so far. I am ecstatic that so many people are excited about this book, and I can’t wait to hear back from those of you who use it or teach from it.

Did I forget anything about the conference? Was there something I missed? Let me know in the comments what you saw at USITT that excited you.