For the Shakespeare Theatre Company’s props director, one blood is not like another – The Washington Post does a fantastic job interviewing Chris Young, Properties Director of the Shakespeare Theater Company. Chris shows off all the different kinds of blood he uses, and why he needs so many. The article has some great photographs, including a few of the blood delivery devices he incorporates into props and costumes.

I Ain’t Got No Body – A lot of dead bodies seem to appear in Jay Duckworth’s props shop, so it’s about time you get to hear his side of the story. For Shakespeare in the Park’s production of Cymbeline, Jay used the Saran wrap and packing tape method for making a body, and he gives a good step-by-step tutorial in this article.

Midlands Professional – Set Designer and Prop Maker David Hardware - David Hardware tells his story of how he became interested in working in film. He started out working in craft services, and eventually opened his own prop-making studio in Leicester, England.

Pressure Casting a Glow-in-the-Dark Slimer Model – The folks at Tested have a video showing how Frank Ippolito cast a glow-in-the-dark sculpture of the Onionhead Ghost from Ghostbusters.

Finally, in an update to last week’s story about the devastation to The Alley Theatre in Houston from Hurricane Harvey, the theater recently posted some videos and photographs from their prop storage area. It looks like it will take awhile to clean everything up, and a lot of it may end up being unsalvageable.