Tag Archives: Adam Savage

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Friday Rehearsal Report

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I don’t know much about Pinterest, but here’s a whole bunch of puppet building resources. They look very pinteresting.

Here’s a great in-depth tutorial on making a two-part underpoured mold written by Adam Savage. Yes, I’ve already had some Adam Savage on the blog this week; there are only so many props people out there who write about what they do.

By now, you’ve all heard about 3D printing, and some of you have even gotten your own 3D printers to play around with. Here’s a great article on why 3D printing is overhyped. It is not saying 3D printers are worthless or a waste of time; rather, it offers a sobering look at the reality of 3D printer’s capabilities versus how they are presented in the media. They are at the peak of hype right now; I’ve seen articles promising they will destroy traditional manufacturing and even end consumerism. The reality is that they can make shapes in plastic from digital models, something which may be useful to some props people in certain situations.

Fans of The Walking Dead may enjoy this piece on John Sanders, the prop master for the show. He talks about weapons and special props which will be appearing in the upcoming season.

Jeff Burks has posted quite the treatise on workshop cleanliness from 1885. I think a clean and well-organized shop is vital to working safely and efficiently; however, the author states that when you are finished with a tool, “return it to its place, immediately after you have done using it.” Now, I’ve heard “tools away at the end of the day,” meaning don’t waste your time putting a tool away if you might need it half an hour later. How does everyone else deal with putting tools away?

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Adam Savage, Maker Faire 2013

Every year at the San Mateo Maker Faire, Adam Savage, from MythBusters, delivers a speech to a massive crowd. This year, his speech was called “Work Hard and Work Smart”. It is almost like a commencement speech, so I thought it would be great for all the graduating students who will be entering the professional world in a few weeks or even days. He gives a lot of practical advice as well, and all of his examples are from the world of special effects and props, so his workplace stories will sound familiar to all of my readers.

The speech itself is about 12 and half minutes long. He takes questions at the end which lead to further interestingness, so if you want to see that, you can view the much longer video here.

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Good Links for a Good Friday

Tested has another great episode of their talk show where Adam Savage, Will Smith and Norm Chan discuss building an inexpensive toolkit for beginner makers. By “maker”, they mean someone doing small-scale fabrication of wood, various metals and plastics, some fabric and leather, model-making, and a bit of electronics, so really, it’s great advice for beginning prop makers as well. You can either watch a video or listen to a podcast of the show, which runs about 41 minutes long. They have also written down the list of tools they suggest, though it’s a good idea to listen to the show because they talk about how to buy tools and why you should get certain tools as well.

In case you missed it, I came across The Painters Journal, a publication about scenic art that ran from 2003-2010. All 22 issues are available online to read. Scenic art deals with paints, coatings, texture and sometimes even sculpting, so many of the articles are invaluable to props people as well.

Make Magazine has posted ten tips for using a circular saw. They’re all pretty good, though I would add that hearing protection should be worn too, as circ saws are almost always loud little beasts. A dust mask is usually a good idea as well.

I liked this recent article about Nick Ruiz, a theatre carpenter in the San Jose area. It’s simple and probably familiar to a lot of us in the industry, but stories like this are so rarely written.

And just a reminder that you have less than a month to enter the Prop Building Guidebook Contest! Surely you have a photograph of a prop you’ve built, and who doesn’t want a grab-bag of prop making supplies? The entries I’ve received so far look fantastic, so thanks to everyone who has already submitted.

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Beware the Sites of March

This post is a few years old, but interesting nonetheless. Art Direction, Props and Authenticity talks about the importance of realism in prop making, specifically the realism of a prop’s weight. A prop that appears too light can take the audience out of the moment.

Game of Thrones has a new video out showing some of the work that goes into their props. It features prop master Gordon Fitzgerald, some drawings of props, and a look at how the smallest details are taken care of.

The Make Magazine blog featured a cool tip for using polycaprolactone plastic to make sanding blocks (they use Shapelock, though Friendly Plastic is another familiar brand name). If you need your sanding block to have a different shape for fitting around a curve or other odd surface, just heat it up in boiling water and reshape it to what you need.

Finally, if you have the time (about a half an hour), here is a good video featuring Adam Savage as he weathers and ages a prop. He articulates his process rather well, even though a lot of the process is carried out by instinct and intuition:

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Links for the Weekend

Here’s a story about a prop master who has found a new career killing zombies. I think most props people imagine they would be pretty well equipped to fight zombies.

Adam Savage (of Mythbusters fame) has quite an intense and detailed tutorial on making a silicone rubber mold with a plaster mother mold (or as he calls it, a “hard shell mold”). It is perhaps a bit more involved than most theatrical prop shops would ever need, but a lot of the extra steps he does are to keep the mold from collapsing on itself and to ensure the two halves are lined up perfectly.

What do you want to know about drill bits? How about everything! Ok, so this free PDF guide to drill bits deals only with woodworking (no metal or plastics), but it is still a useful amount of information available at a glance.

This is kind of cool. A classmate of mine from undergrad wrote a play a few years ago called The Love of Three Oranges. One of the productions of this play is documenting the construction of their set and props on a blog.

So, I’ve talked about the invention of the jig saw before; its history is at least somewhat intertwined with the history of fret and scroll saws. Well, Chris Schwartz has a piece on the history of the coping saw, another tool sharing this history. I personally love my coping saw, and consider it one of the indispensable tools in my prop-making bag.