Tag Archives: 1920

1920 ‘Props’ for 1920

This article originally appeared in a 1920 issue of Hettinger’s Dental News. Yes, it was actually a longer advertisement to update your dental equipment.

“All the world’s a stage,” but-thank goodness-we can choose our own “props.” Stage props, properties-if you will insist on full-grown English-are all the movables on deck-the flying trapeze of the Figuaro Family, the glass tank of the Diving Venus, the revolver which barks out the villain’s doom in the last act, the chaise longe, the Victrola, the floor lamp, etc., which indicate: “Living room of the Van Flatter’s apartment. Time: present.”

Now suppose you went to the theatre to see that play in which the Van Flatter’s apartment figured in the story. Suppose there were an accident, or misunderstanding, or something behind the scenes, so that when the time came for the stage hands to shove on the chaise longe, Victrola, etc., they couldn’t be found; and they had to hurriedly run on an old set, of the Hazel Kirke period.

The actors would come on in their 1920 attire. The indiscreet Mrs. Van Flatter would lounge back on an 1880 horsehair sofa, smoking a cigarette, and say to the too attentive young Reginald; “Step on the accelerator, Reggie. Give us some jazz.”

And Reggie would step center-left to a brown walnut parlor organ, full of gingerbread trimmings. Then he’d pull out a few stops and do the Zippanola-Rippanola Rag in hymn time-the only tempo the old relic could wheeze out.

Of course such a ridiculous thing couldn’t happen-at least it’s not apt to; and what has this all to do with you, anyway? Just this:

It’s just as ridiculous to try to perform 1920 dentistry with “props” of 1880 as to perform a twentieth century play with nineteenth century stage settings.

“1920 ‘Props’ for 1920.” Hettinger’s Dental News Jan. 1920: 4. Google Books. Web. 25 Aug. 2015.

Curious Stage Props

Curious Stage “Props” Made of German Substitutes

Artful substitution of new materials for old ones that cannot be obtained, a trick Germany learned during the war, has now extended to the stage properties used in that country, with some queer results. Shapes made of thin paper and blown up with air are adapted to all sorts of settings, from rocks and trees to pianos, and serve their purpose so long as no forgetful actor leans against them. “Props” of this kind have at least the advantage of compactness and light weight. Luxurious-looking rugs and hangings are made by a new and economical process of printing on fabric. One attraction has a property tree, so made, of paper and wire, that it can be adjusted to any height, from a bush up. In another case, a real field of waving grain is transported to the stage by gluing straws to folding sections of flat base, the whole being fireproofed. Some interesting new cloud effects are produced, presumably by the optical projection of chemical-vapor images.

Popular Mechanics Magazine, December 1920. Vol. 34, No. 6