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Win this foam baseball bat

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Hey, everybody. I’m going to be running my very first contest!

Foam and latex baseball bat
Foam and latex baseball bat

Specter Studios is a props, costumes and mask shop out of Pittsburgh, PA. Their theatrical props include a number of soft foam and latex weapons, such as the baseball bat above. It looks real, but you can beat people over the head with it. For theatre, of course. It’s the prize of this contest here.

Specter Studios is a bit different from those pop-up Halloween stores you see every year. They employ a number of local artists to make all of their products. You can actually see photos and bios of them at the website. Their Facebook page has even more behind-the-scenes photographs.

So what do you have to do to win? Simple, just leave a comment at this blog post saying what play, movie or TV show would be improved by the addition of this foam bat. If you follow the blog by email or through RSS, be sure to visit the website itself to leave your comment. Creativity is key, here. The contest will remain open until 11:59pm on Thursday, May 24, and I will announce the winner on the blog that Friday morning.

(The baseball bat can only be shipped to the Continental US, so the winner will have to provide a US address for the prize to be shipped to.)

Useful Sites

A Practical Guide to Friday Links

Mother’s Day is this Sunday. Bill Tull, the prop master on Conan O’Brian, has some Mother’s Day gift ideas for those on a budget.

Here’s a blast from the past: an Interview with Anna Marchant, who was a prop maker on the two Matrix sequels. It’s a great interview because it really cuts to the heart of what kind of materials she works with, how the prop department interacts with other departments, and all the other day-to-day details that other interviews forego to talk about “cool props” or “what it’s like to work with movie stars”.

Dallas Poll, a prop maker on Lord of the Rings, had his house burglarized recently, with a number of props and memorabilia stolen. To make matters worse, one of the items stolen was his Stormtrooper costume—and the thieves struck on Star Wars Day!

Rich Dionne’s latest post is about working together in the theatre. This isn’t just about how a playwright works with a director; this is about collaboration within the production department itself, and how important it is for props, costumes, lighting, sound and scenery to occasionally work together on tasks and not just throw walls up around their individual departments.

Robert Lang does a nice job summing up the advantages of not measuring your work. Relying on measuring devices introduces inaccuracies into your work. Sounds counter-intuitive, right? Check the article out.

Reprints

The Covetous Property Man, 1904

The following first appeared in The New York Times, July 24, 1904:

“There is no more assiduous collector of odds and ends than the average theatrical property man,” said a well-known actor. “Everything is fish for his net, you might say, and the contents of the chest or trunk of one of these individuals after a forage through the country would easily hold its own with Dickens’s famous curiosity shop…

“If you wish to find out the thoroughness with which the average property man accumulates, just ask him for any article, I don’t care what, and see if nine times out of ten he won’t produce it.”

“By accident I was a witness once of the manner in which a property man adds a coveted object to his collection. Our show was playing at Richmond, Va., at the time. Among the ‘props’ furnished by the theatre’s property man was a handsome rifle, which he had borrowed from a local firearms firm for the week.

“On Friday I had occasion to go to the theatre to get something I had forgotten. As I made my way to the dressing rooms I noticed our company’s property man standing to one side of the darkened stage, in a ray of sunlight, examining this rifle with the air of a connoisseur. There was nobody else in the theatre at the time, and he apparently had not seen me. I would probably have passed him by unnoticed but for the fact that he was holding a conversation with himself, which ran thus:

“‘You seem to be a pretty nice gun,’ he said, holding the rifle up to his shoulder and running his eye critically along the sights.

“‘Ever been on the road?‘ he continued, carefully scrutinizing the stock of the weapon.

“‘Why, you have no idea what a lot of fun you can have out on the road,’ he kept on seductively. ‘A great deal better than being stuck in a little town like this.‘

“‘How would you like to go on the road?‘ he queried, as if he had a sudden inspiration.

“‘You would? All right. I think I can fix it for you.’

“And he made for his trunk to see if he could lay in the rifle crosswise. He was just able to get it in, and the last words I heard him say to the enraptured weapon were:

“‘I’ll sign you with this company right away.‘”

Originally published in The New York Times, July 24, 1904.

Useful Sites

May the Fourth be With You

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This came through the prop managers group this past week (which got it from the stagecraft mailing list). Canadian mail-order catalogs from 1880 to 1975; like historical Sears catalogs, these are useful to see what the average Jane and Joe were buying throughout the last century and a half, making it great for period research.

The Design Observer Group has a semi-regular feature called “Accidental Mysteries”. The most recent installment features photographs and scans of antique measuring and marking tools. Other Accidental Mysteries have interesting things, such as these weekly rail passes from St Louis in the 1940s, and these punk and metal flyers from the 1980s-90s.

Chris Schwartz (of Popular Woodworking and Lost Art Press) is working on an interesting-sounding book on the “furniture of necessity”. Where the furniture of the rich and powerful is well-documented and archived, the furniture of everyday life is difficult to date and keep track of, particularly before the age of photography and mail-order catalogs. He is delving deep into research to come up with the forms of furniture that have remained unchanged for 200 years or more. It sounds like it could be potentially interesting for those prop masters and set designers who need to make period furniture for characters who couldn’t afford Chippendale chairs.

Here are a few interesting snapshots taken behind-the-scenes from the original Batman TV show (1966-68). Not much information on their provenance, but still pretty fascinating.

This site has a large number of videos, such as several different “documentaries” on various matte and miniature artists who have worked on films like Superman, Dark Crystal, The Rocky Horror Picture Show, The Thief of Baghdad, La Fin du Monde, The Third Man, Clash of the Titans, and The Da Vinci Code. It also has video featuring interviews of people who have worked on the FX crews of the Alien movies, and a video talking about restoring the Nostromo (the giant spaceship model) from the original Alien films. The videos are rather long and kind of all over the place; some of them have original 3D animation interspersed within the interviews. I’m not sure where the videos came from, but if you are willing to fight through the odd parts, you can pick up some interesting tidbits from the creators of some of cinema’s best visual effects.

Making and finding props for theatre, film, and hobbies