The New Yorker has a great piece on theatrical special effects, where they follow around Jeremy Chernick of J&M Special Effects. I almost did some work for Chernick when I lived in NYC, and he was definitely one of the go-to guys for any kind of effect that wasn’t specifically props, costumes, lighting or scenery.
Empire Online has a piece that boldly proclaims “In the Future, All Film Props Will be 3D Printed“. While that statement may be a bit hyperbolic, the article itself is an interesting look on how digital fabrication techniques are being integrated into the pre-production and production phases of filmmaking, and what benefits they give that traditional fabrication techniques don’t.
Since we’re talking about the future, check out Cinefex’s piece on the future of practical creature effects. For a time, it looked like filmmaking was heading for a future where a single actor stands in front of a green screen, and everything else was digital. Now, practical creatures (and props and sets) are making a comeback; effects teams have a better handle on how to plan out and integrate digital and practical, and new technology has made possible practical effects which were previously unachievable.
Finally, check out an easy way to make tin advertising signs. Jesse Gaffney takes some tin and a ballpoint pen, and makes signs that have some dimensional detail. Nice!
