Category Archives: News

Props in the news

This site is four years old

While my new book is one of the most exciting things on the horizon, let’s not forget that this blog continues to deliver lots of fun and free writing about props, and it will do so long after the book comes out. This blog turned four years old last week, and I almost forgot about it! I thought it would be fun to recap what has appeared here, just like I did after the first year, the second year, and the third year. It now contains 585 published posts, with a total of 266,384 words; that’s one and a half times as many in my book!

I’ve written a few little “featurettes” in the past year. I try to discover who the first prop maker was. I show off some photographs of prop artifacts held at the Victoria and Albert Museum. I take a look at prop expenses from 1716. I had a multi-part series of how they built Fafner the dragon at every production of The Ring Cycle which the Metropolitan Opera has done since it was founded (part one, part two, and part three). I explored who invented the jig saw, and looked at whether it should be called a saber saw or a jig saw. I did a story called To Broadway and Back, and looked at where to find summer jobs. I also did a few safety-oriented posts: Weapon Safety is nothing new, and The Nose Knows Not.

I have toured some places and wrote about some events. These include Wesley Cannon’s awesome film prop collection, a visit to Roy Underhill’s Woodwright’s School, a visit and lesson at Dick Snow’s blacksmithing shop, the Burlington (North Carolina) Mini Maker Faire, a tour of the Costume Armour facilities in New York, and the NYC Annual Props Summit.

I added some more of my own illustrations, including formal dinner settings, and “Better Proud than Shy“. I have begun shooting a lot more video in the past year, such as adding a flange to PVC pipe, vacuum forming for zero dollars, an exploding cuckoo clock, sculpting in oil clay, making a plaster mold, and sculpting and carving foam.

Of course, I posted pictures and explanations of various props I have built: Furniture for Henry IV and V at Playmakers Rep, a crepe cart at the Santa Fe Opera, a six-foot tall microscope, a dead deer at Shakespeare in the Park, King Roger’s throne at the Santa Fe Opera, twelve candlestick phones for Elon University, a player piano for Elon, various props for Crazy for You at Elon, Milky the Cow, Puppets for Into the Woods, some box elder boxes, and a CNC cast iron bench.

This year, I’ve also published some cool things submitted by other people. First up is Specter Studios building a foam axe prop, followed by the condensed history of their company. Next up is Costume Armour making a disappearing turkey. I also posted the video of Jay Duckworth’s KCACTF keynote speech on being a props master.

Regular readers know I like to dig out old historical writings about props. This year, these included the following: Actors in IATSE (1898), Backstage Views (1900), What Becomes of Stage Scenery (1903), A multi-part reprint of an article on prop maker E.L. Morse (1904): part 1, part 2, part 3, part 4, part 5, part 6, and part 7; The Covetous Property Man (1904), A Factory for Making Plays (1909), Good Furniture and Moving Pictures (1915), How David Belasco shops for props (1919), William Bradley, Property Man (1927), Why Film Prop Men Often Die in Their Youth (1938).

There were also some great illustrations I’ve reprinted here: daggers and poniards of the Christian Middle Ages, an illustration detailing the construction of a table, cooking pots history, 1642-1969, chair back styles, and construction and upholstery of chairs.

Finally, I reviewed Costumes and Chemistry by Silvia Moss. Though not a review, I also did a brief interview with Sandra Strawn about her recently published book, The Properties Director’s Handbook.

So there you have Year Four in a nutshell. I post lots of other links and videos in addition to what I’ve written here. If you don’t want to miss any future posts, you can subscribe to my blog with your favorite blog reader, or sign up to get all articles through email. For even extra prop goodness, you can follow me on Twitter as well.

This Week I got a Book

So the big news this week is that I received my advance copy of The Prop Building Guidebook: For Theatre, Film, and TV.

The Prop Building Guidebook
The Prop Building Guidebook

I cannot wait for people to start reading this. It’s the culmination of several years’ work. It clocks in at around 380 pages, and has photographs, charts, and illustrations on nearly every single page.

But enough about me, let’s talk about what else you can read on the web this week:

The House of von Macramé is a new pop musical running at the Bushwick Starr. It’s about a killer who targets models during Fashion Week. Waldo Warshaw did all the blood effects, delivery systems and splatter choreography, which Erik Piepenburg at the New York Times presents to us in this great article and slideshow called “A Scream. A Splash. Send in the Mops“.

This is actually from a month ago, but the Smithsonian Institute has received production-used costumes and props from the Broadway production of Wicked for display in their National Museum of American History. I think more props belong in a museum.

Everybody knows Google Street View, right? Well they have some special galleries hidden in different places. One very cool one is the inside of Scott’s Hut in Antartica. It’s an exploration hut from 1911 which the cold has preserved perfectly. It makes for some really cool primary research. If that link doesn’t work, or if you want to see what other galleries they have, you can view all their collections.

Stagebitz and Opera Australia

Stagebitz is an online project management software which first began beta-testing back in 2010. It’s designed to streamline all the tasks you handle when propping a show (or when working on scenery, costumes, etc.). They have recently secured a hefty investment that will allow the development of the software to really take off over the next few years; they will be at USITT this year where you can play around with the software and ask them any questions you wish.

But that’s not what this post is about. They have also brought on Mat Lawrence, who, up until now, was the head of props manufacturing at Opera Australia (whose home is the Sydney Opera House). The video below shows them working on the props and puppets for Julie Taymor’s 2012 Magic Flute. It looks like some pretty intense work there, and it is the kind of props shop many of us dream of working in.

Last Links of Proptober

Whew! Crazy For You opened last night, so my wife and I can finally take a breath and return to normal life. I will post some pictures of the props once the show closes. I made a lot of fun items for that production: four tables (two with turned legs), 12 pink candlestick phones, a custom-sized player piano, an exploding cuckoo clock, a break-away sign, 3 benches, lots of signage and much more, not to mention tracking down all the normal everyday items and hand props they needed (did you know it’s illegal to sell deer antlers from local deer in North Carolina? Because I didn’t).

In other exciting news, I have received the electronic proofs for The Prop Building Guidebook. This is essentially an e-book showing exactly how all the text and photographs will be laid out. I have to go through every single sentence and check for typos, misprints and all other errors (such as making sure the photos have the correct captions). Once that’s done, those files go straight to the printers, and my book will be in your hands before you know it! It’s very exciting to actually see the book in it’s final form.

With that news out of the way, here are some links I’ve come across in the last week:

First, here is a nice little tutorial for making latex bladders. I’ve seen blood knives and similar effects where you store the blood in various squeeze bottles, but sometimes you need a custom-shaped bladder to fit inside; that’s where latex bladders come in handy.

Volpin Props has a new website, and it is pretty spectacular. Harrison Krix is one of the hottest independent prop makers working in replicas of video game props and other pop culture artifacts (he has also kindly provided some photographs for my book), and his website is a great showcase for his work.

The other heavy-hitter in the world of semi-professional replica prop making is Shawn Thorsson, and Make Magazine recently put together a slide show showing off his workshop.

Halloween is the time of year when many non-professionals try their hand at prop making. The American Scream is a new documentary showing the work of three “home haunters” who put together impressive haunted shows in their houses every year. The trailer looks like all kinds of wonderful.

Dispatches from Props Summit 2012

Though I could not make it to the NYC Props Summit this year, I did follow what was happening via the Twitter. This was the fourth such event, and Jay Duckworth, the props master at the Public Theater, seems to have outdone himself in organizing it this year.

The crowd meets and greets in the Public Theater Props Shop
The crowd meets and greets in the Public Theater Props Shop. Photograph by Jay Duckworth.

The NY Times had a great write-up of the event: “[A]bout 50 props people… gathered on Friday night at the Public Theater for an informal meeting that gave attendees a chance to network, watch demonstrations and exchange insider tips on the latest techniques in an area of theatrical design that often goes unnoticed and unheralded.” The article contains much more information and a great slideshow of photographs.

One of the main events was a talk and demonstration by the owners and employees of The Specialists (formerly known as “Weapons Specialists”), a prop rental and fabrication house just a few blocks from The Public Theater known for supplying guns, weapons and custom effects to many of the film and television shows that are produced in NYC.

The guys at the Specialists described weapons safety while demonstrating and presenting a variety of the weapons they offer. Everything from rubber guns to blood knives was on display here.

Guns from the Specialists
Guns from the Specialists. Photograph by Chad Tiller.

The informal meeting and greeting that happened throughout the night made up the bulk of the event. It was a chance for prop makers to meet prop masters, for prop directors from different theatres to meet each other and for everyone to catch up on what was happening within our community. Props can be a lonely career at times, and it is helpful to learn that others share your woes with demanding directors, absent designers and strange glares as you walk down the street with a bag full of questionable items.

The evening was also a chance to share new resources, tools and materials:

Jay also pre-ordered a copy of my book to give away as a door prize, so I cannot give up the opportunity for a bit of self-promotion here:

Next year’s event promises to be just as exciting. It will be happening around the same time of year (late August/early September), so you can plan ahead a bit if you are interested in attending.

Prop Summit 2012
Prop Summit 2012. Photograph by Sara Swanberg.